Thesis Title:ÌýExceeding Absence: Bermudian Ecological Hauntology and Contemporary Visual Culture as Decolonial Possibility
Supervisors:ÌýProfessor Dorothy Price, Dr Lucy Bradnock, Dr Marsha Pearce (External Supervisor, British Academy Global Professor at The Fitzwilliam Museum, University of Cambridge)
Funded by:ÌýCHASE AHRC Doctoral Studentship
Working closely with contemporary Bermudian artists, my research explores how contemporary Bermudian artists are developing a decolonial visual language to address the hauntology of local ecological sites that hold contested and silenced Bermudian histories. By doing so, they challenge and negate the absence suggested by colonial narratives surrounding Bermudian, and broader Caribbean, visual culture and history. Through contemporary art, and site-specific examples, Bermuda’s environments can be reinterpreted as frontiers for historical recovery and the envisioning of decolonial futures.
Education
PhD Student, ÂÜÀòÉçapp, 2025 – Present
MA Contemporary Art Theory, Goldsmiths, University of London
BA History of Art, University of Richmond
Grants and Awards
Association for Art History, Grants for Art History (2026)
Bermuda Arts Council Student Grant (2025)
CHASE AHRC Doctoral Studentship (2025)
Shortlisted, Association for Art History Postgraduate (MA) Dissertation Prize 2023
Research Interests
Caribbean art and visual culture
Ecology and animism
Colonial legacies and the archive
Contemporary art and curatorial methodologies
Archival hauntology and decolonial praxis